In this release, Orli Shaham comes to the end of her monumental survey of Mozart's complete Piano Sonatas. With this achievement, the pianist puts a double bar line on an exhilarating journey through music she has known most of her life.

In this release, Orli Shaham comes to the end of her monumental survey of Mozart's complete Piano Sonatas. With this achievement, the pianist puts a double bar line on an exhilarating journey through music she has known most of her life.

Orli Shaham continues her survey of Mozart's complete Piano Sonatas in this, the fourth of a six-volume set. Shaham is revered as a "thrillingly expressive" interpreter of Mozart's works, bringing "technical virtuosity and deftness" to performances that "connect directly with an audience".

Memory is at the forefront of this disc, which pairs Steven Mackey’s moving, evocative violin concerto, Beautiful Passing, with Mnemosyne’s Pool, his expansive symphonic saga, to explore the different ways in which we engage with that most human of experiences.

On this recording Orli Shaham presents the second instalment in her complete recording of Mozart piano sonatas. It was immediately selected as Classic FM's (UK) Album of the week pre-release in early August 2022.

Gil Shaham, Grammy award-winner and Musical America’s 2015 “Instrumentalist of the Year,” records 2 of the greatest violin concertos; Brahms and Beethoven. Gil Shaham partners with Brooklyn-based The Knights, conducted by Eric Jacobsen, musicians with whom he feels fortunate to collaborate with on a regular basis.

Volume 1 in Orli Shaham’s documentation of Mozart’s complete piano sonatas. She has an enviable reputation as a Mozartean, press and critics dwelling on her ‘thrillingly expressive’ approach matched with ‘technical virtuosity and deftness’ culminating in ‘performances that connects directly with an audience'.

Orli Shaham revels in the theatrical richness and breath taking invention of Mozart's Piano Concertos joining forces with David Robertson and St. Louis Symphony Orchestra for this studio recording of No.17 in G Major, K.453 and No. 24 in C minor, K.491.

The New York Times welcomed 1930s Violin Concertos, Vol. 1 as “the first document of a major musical project.” the Gramophone Magazine observing "a most distinguished release and I can’t wait for the second instalment.”

The wait is OVER. 1930s Violin Concertos, Vol. 2 pairs Gil Shaham's account of Bartók’s Second Violin Concerto with the Stuttgart Radio Symphony Orchestra under Stéphane Denève, with Prokofiev’s Second Violin Concerto with Eric Jacobsen and The Knights.