'The Shahams, brother and sister, make a formidable team. It's obvious throughout that they're entirely comfortable playing together, effortlessly accommodating any freedoms in timing and matching each other's tone and dynamics... highly expressive performances. The particularly wide dynamic range – of the recording as well as of the playing – here works decisively to the music's advantage. And, especially in the Cinq Mélodies, we hear some wonderfully subtle shades of expression: both players have clearly entered right into Prokofiev's distinctive idiom. They show the divergent natures of the two sonatas exceptionally vividly – Op 80 sombre and concentrated, Op 94 full of ebullient fantasy.'